I was just contacted from a convention organizer about a show next year and it dawned on me that I have to start planning things for not only the upcoming convention season but my writing schedule for next summer.
As for conventions, not sure which ones I’ll be doing. It’s likely I’ll be at
The writing schedule for the summer is usually projects that I mull over and then spend the time off school to get the physical part of the writing done. I should have the Deadworld novel and the next Deadworld comic story arc done prior to that as well as completing a couple of projects in the works (a thriller and a mystery story…both original graphic novels)…so not sure what I’m moving on to next. There are a number of projects that are not related to comics that I might move towards. I love the medium of comics but it does get frustrating that the audience is limited.
Comic fans, for the most part, stay with their superhero characters and they have the right to. It’s hard to find new fans for non-superhero material but the Internet continues to show growth in exposing people to some different titles and the occasional big hit lends credence that there is a market out there…just have to find a way to tap into it. Of course, I don’t believe it’s that simple…and just because you do a story that doesn’t feature superheroes, doesn’t automatically elevate the quality. When VHS first arrived and all these foreign movies were suddenly available, there was a great interest. They were cool…cutting edge…daring…yet when you started watching many of them, well, yes there were some instant classics, but there was a lot of horrible films too. Just because its’ foreign, didn’t make it good. That sort of snob appeal hit the book market with the trade paperback fiction books. If it wasn’t mass market sized, then it was considered literary and deep…well, a lot of it was crap as well.
Once we can move past comics being solely identified with superheroes and the superheroes just become a genre within comics, I think that comics as a medium will continue. Does that mean comic shops will? I don’t know. I don’t know if the superhero expanded universe as it stands now will survive well enough to support the comic stores. I mean, you’ll always have Batman, Superman, Spiderman, etc. but I can’t see a long future for the pamphlet market as it is set up today. There likely will be specialty shops but I don’t think they’ll be reliant on superheroes as much as they are. Yes, I know stores are adjusting but when it comes right down to it, almost all comic stores, no matter how expansive they are, still rely on the core of the Marvel and DC universe for their business.
When I went into a comic shop recently, I felt like a stranger in a strange land...a foreigner. Now, I have a long history in comics and they're been a part of my life for some 20 years when I was an owner---and I was an active owner until the latter years. I knew creative teams, characters, plot lines, etc. Yet, when I was walking through the store, nothing held any interest to me. Sure, there were some characters I used to follow but I know that they've probably gone through some dramatic changes but it didn't matter. The next creative teams will just do something else to it. There are no permanent changes so it really just doesn't matter. Granted, readers of those comics likely enjoy watching the twists and turns that the characters go through and can appreciate the methods and events that push them into different directions. But when you come in and evaluate years of changes and then see the pattern of change-restoration-different change-restoration, well, it just seems all so pointless.
I think I have just moved on and I don't mean that in any condescending way that "I've grown up" and left the medium behind. It's just that I have memories of certain titles and characters and now they're no longer recognizable. Names and powers stay the same (most of the time) but their motivations, values, and personalities seem to change with the whim of every writer that comes along. Of course, costume changes give the artist some changing as well.
The problem comes from the market not letting go of these characters. They can't seem to create new characters so the old ones get re-invented over and over. Imagine if we did that in movies...every detective story is Sam Spade...all westerns featured John Wayne..., it would get monotonous. Literature is constantly re-inventing itself...we don't live and die with the exploits of Jules Verne characters or follow new re-inventions of Tarzan and the Lone Ranger to the exclusion of newer material. Yet in comics...we do.
There are many interesting titles that I come across the internet but saw very few of them here. The store's selection was Marvel-DC with a good selection of Dark Horse and Image. Some of the other publishers were represented but not too many titles. I saw none of Slave Labor, Archaia, Desperado, APE, Devil's Due...and only samplings of Dynamic Forces and IDW. None of the "alternative" press (i.e.-Fantagraphics, Drawn & Quarterly, Top Shelf)...except a graphic novel or two.
Again, this was a good store and likely supplies 98% of its customer base with exactly what they want in a store. Maybe they tried the other material as I did see some graphic novels from smaller publishers in the liquidation shelves. So, is the store to blame? When you're a retailer you quickly learn that you can promote specific titles and areas but your customer base ultimately determines your selection. Market realities don't let you decide what you carry....your customers do.
Oops, got sidetracked there. So, I plan to announce the convention season for myself shortly and hope to announce what projects I plan to embark on for next summer. In the meantime, Deadworld: Slaughterhouse is just about finished on my end, A Murder of Scarecrows original graphic novel just needs some lettering corrections, the collection of the Sinergy comic series is nearly finalized as is the third Saint Germaine graphic novel (with some new material), and I plan to get a full color graphic novel out on the life of El Cid with paintings by Wayne Reid. And look for a new book coming in the spring called Subversives, a factoid type of graphic novel.